Elvira Golubova

Oscar Niemeyer is one of the greatest architects of our time—his unique way of mixing straight lines and abstract curves gives rise to an unmistakable and characteristic style.

This typeface is my own tribute to Brazilian architect Oscar Niemeyer. The design process started when my wife and I visited Brazil while she was running a series of workshops on calligraphy. In my spare time, I would walk through the streets of beautiful cities like Rio de Janeiro or São Paulo, enjoying the local architecture and urban life. I had also the opportunity to attend to some of the workshops during which I was able to observe the organic of calligraphy and people. Then, I started to draw some shapes that reflected everything about this beautiful place: Niemeyer’s architecture and work and, in his own words ‘the curves on the body of the beloved woman’.

This versatile typeface comes in 8 weights with matching italics, alternative characters, oldstyle figures and much more! Niemeyer is well-suited for logotypes, advertising, publishing, branding and corporate use.

Special thanks to everyone in the Latinotype Team (especially to César Araya) for their support, help with corrections and digital editing.

Antonietta is Mauricio Astete Brito's first typeface, which is inspired by the eccentricity of the rococo style and Queen Marie Antoinette's wild personality.
This project, supervised by Latinotype Team, was born from the idea of turning lettering into a digital typeface.
Antonietta is based on the Copperplate style and inspired by the works of, among others, Hermann Zapf, Ricardo Rousselot and Herb Lubalin.

The font comes in the following variants: Antonietta Script, Antonietta Caps, Antonietta Caps Illuminated, Antonietta Caps Shadow, Antonietta Caps Inline and Antonietta Ornaments.

Antonietta Script is characterised by a big x-height, condensed proportions, and short ascenders and descenders, which can be modified by using the contextual alternates included in the set.
Antonietta Caps, a companion font to the Script, is an all-caps typeface with rational structure and high contrast between thin and thick strokes.

Antonietta is a 7-weight typeface well-suited for logotypes, labelling, headlines and short text.
The Script variant contains a set of 878 characters that provide a wide range of contextual alternates to fit any project.
The typeface also comes with an 'Ornaments' variant, which includes dingbats, borders and catchwords that complement the rest of the fonts.

Introducing, The Madge font is a sans serif type of regular & rough style. Madge font it’s perfect for , poster, logo, magazine, cover, banner, tshirt and headers, or even large-scale artwork.

Files Included:

Thank you for checking and i hope you enjoy it. Always put your heart into it and don’t worry to try. I hope you have as much fun using it as i did making it.

Khurasan

Olivia Bloom is a Summer font monoline style, combine with alternates to make spectacular design

Olivia Bloom is perfect for summer event, summer party, branding, logo, invitation, quotes, apparel design, product packaging, merchandise, 
game titles, cute style design, Book/Cover Title and more.

What's Included :

- Olivia Bloom (.otf/.ttf)
- Olivia Bloom SS01 (.otf/.ttf)
- Multilingual Support 
- Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features.

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Hope you enjoy with our font!

Attype Studio

Sunday Morning is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs.

Arthur Keith Signature Style Font Is A Great Font For any project! This font is made with an awesome taste and classy with a natural touch, lots of ligatures, SAlt, and Swash. We keep this font looking Natural, easy to read, elegant, stylish, attractive, and very easy to use.

Arthur Keith Signature Style Font is a great choice for Projects you like branding, design, wedding, photography, signature, logo designs, album covers, business cards, quotes, and tons of projects other designs.

What’s Included :

– Arthur Keith (OTF/TTF/WOFF)
– S-Alt, SS01, Ligature, and Swash
– Works on Win, Mac
– Simple installations
– Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.
– PUA Encoded Characters
– Fully accessible without additional design software.

Thanks for your support, please kindly send us a message with any questions about our product.

Hope you like it.

Otterco is a geometric sans serif font family with varied round and narrow characters. Blending a touch of retro and modern qualities, this typeface is clean and neutral but not boring. It’s professional yet unique and fun. The contrast in character widths creates a distinct visual rhythm and the vertical cut terminals keep it consistent, strong, and sharp looking. Constructed with a large x-height and low stroke contrast, it can fit a variety of applications.

Coming in both Normal and Display families, the fonts can be used for even more settings and tone of voice. The Normal design has a little less width contrast between characters and looser spacing—good for both small and large text. While the Display design has more character width contrast and tighter spacing—good for larger, attention-getting text.

With 32 total fonts in thin through extra bold weights (plus italics), Otterco is well suited as both a versatile text and display font for branding, advertising, packaging, headlines, magazines, websites, logo designs, and more.

Otterco’s features include:

32 total fonts (OpenType format) included in your purchase. Thin through extra bold with italics.

Having almost 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

Otterco will work great right away with most any software (Adobe, MS Word, Pages, etc.). But to take advantage of the additional OpenType features and stylistic alternates, OpenType-savvy software (like the Adobe applications) is recommended, as these items are not PUA-encoded to help preserve their function if switching fonts.